ISLEY BROTHERS SONGS ATLANTIC CRACK

Berns was the first American producer to make records in England.Д«erns established his own label, Bang Records, in partnership with the owners of Atlantic Records вЂ“ the label name is an acronym of their first names Bert, Ahmet, Neshui and Gerald вЂ“ and quickly earned a No. He returned in 1965 to produce more tracks with Them. hit, вЂњHere Comes the Night,вЂќ a Berns song he also produced with vocalist Lulu on the same British trip. He returned the following year to supervise the sessions for Irish rock group Them that produced the No. He also wrote and produced the Top Ten hit вЂњCry BabyвЂќ for Garnet Mimms and the Enchanters with collaborator Jerry Ragovoy.ДЄfter The Beatles had made вЂњTwist and ShoutвЂќ a worldwide hit that year, Berns also went to England to produce acts for Decca Records (U.K.). He also started his own label, Keetch Records, with singles by The Mustangs and Linda Laurie. In 1963, he joined Atlantic as staff producer, replacing Leiber and Stoller as keeper of Atlantic franchise acts such as The Drifters and Ben E.

ISLEY BROTHERS SONGS ATLANTIC CRACK

Within a year, he earned a Top Ten hit with вЂњTell HimвЂќ by The Exciters, produced the hit version of his song вЂњTwist and ShoutвЂќ with the Isley Brothers after 19 year-old Phil Spector and Jerry Wexler took the hapless first crack at the song with a group called the Top Notes on Atlantic, landed the original A-side to the Gene Pitney single, вЂњIf I DidnвЂ™t Have a Dime,вЂќ on the other side of what turned out to be Burt BacharachвЂ™s first hit, вЂњOnly Love Can Break a Heart,вЂќ and launched a string of hits by Solomon Burke that would help keep Atlantic Records in business. His first hit was вЂњA Little Bit of SoapвЂќ by the Jarmels in 1961. At age 30, Berns took his first job in the music business, $50 a week as a song plugger for Robert Mellin Music.

He always nursed show business ambitions and tried his hand at songwriting without success. He dropped out of school and lived aimlessly for many years. A Cuban music aficionado since even before he traveled to Cuba in the days before Castro, Berns brought the heart of mambo into rock and roll - not the supple Brazilian samba rhythms found in records by Jerry Leiber and Mike Stoller or Burt Bacharach, but fiery Afro-Cuban incantations that pulsed with sex and sin.Д«orn and raised in the Bronx, Berns suffered rheumatic fever as a teenager, an early death sentence in those pre-open heart surgery days. His records with Solomon Burke established the singer as one of the most formidable figures of the rhythm and blues world, shoulder-to-shoulder with peers such as Sam Cooke, James Brown, Jackie Wilson and Ray Charles. He died at age 37 on Decemat the height of his career. As head of his own record label, he signed and supervised the first solo records by Neil Diamond and Van Morrison. Songs of his such as вЂњTwist and Shout,вЂќ вЂњMy Girl SloopyвЂќ or вЂњPiece of My HeartвЂќ have become bedrock of modern music, recorded by The Beatles, Rolling Stones, Led Zeppelin, among many others. He produced historic rhythm and blues records such as вЂњCry To MeвЂќ by Solomon Burke, вЂњUnder the BoardwalkвЂќ by The Drifters and вЂњTwist and ShoutвЂќ by the Isley Brothers. He first flourished under the encouragement of Atlantic RecordsвЂ™ Jerry Wexler, but Berns quickly developed into one of the leading record men of his day.

Bert Berns was one of the great originals of the golden age of rhythm and blues.

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